In the spirit of Paris’s infamous Grand Guignol, the Theatre of the Macabre was reborn.

No longer constrained by morality or even today’s highly realistic special effects, the Theatre of the Macabre brought a fresh air of realism to their grotesquely brutal shows. This beautiful, provocatively clad woman, a tourist abducted from the streets of Paris, is destined to die within this Iron Maiden for the Theatre’s demanding audience’s amusement. Her torturous death live-streamed to tens of thousands of subscribers. Many of her audience will also purchase the two-hour-long, edited version of her unspeakably brutal forty-eight-plus hour-long agonizing death within the Iron Maiden for their future viewing pleasure.

As for her identity, no one in this audience really cares...